Michael and I are both cut from a similar cloth, in that we have a passion for seeing larger scale scenery in a smaller format. The level he has mastered, is being able to replicate miniature vignettes of the 1930s to 50s using scale model cars and buildings typical of the day, and adding magnificently realistic photo backdrops to add a fullness and lifelike image to his work. Except without the life. You'll notice there are no people in the photos.
Take a look at his use of shadowing and light grading. I'm a fan for life.
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